A Star is Born is my favorite film, and Haver’s book is definitely amongst the most impactful books about filmmaking, celebrity, the culture of Hollywood and Hollywood’s ability to create culture, that I’ve ever read. One is Ronald Haver’s book on the production, destruction and restoration/reconstruction of A Star is Born. I’ve listed my sources as usual below, but I should also note that my fascination with Judy Garland is longstanding, and though I didn’t pick them up this week, there are a few texts that I’ve basically internalized over the years. As I’ve tried to show here, I think it’s the emotional connection, the connection in the public imagination, that really matters. There’s some debate as to whether or not there’s a literal, causal relationship between Garland’s death and Stonewall, but there’s no question that the dividing line between the Before Stonewall and After Stonewall eras coincides exactly with the dividing line between Judy Garland’s existence in the world as a living, breathing human being and her post-death existence as a symbol, angel, martyr, whatever. This kind of completely casual reporting on “fluttering fags” shows us how different the world that Judy Garland lived in is from the world that began to come into being after her death. Ultimately I decided that I wanted to have it in there because it helped me to remember how significant Stonewall really was, by showing how much it needed to happen, and how much has changed (although of course there’s still a long way to go). The other excerpt is more problematic - it’s basically a document of vicious homophobia, although it wouldn’t have been called or recognized as that at the time - and I debated whether or not to include it. The first of these excerpts is an example of the way that Garland often functions as a kind of folk hero, the star of cocktail party anecdotes that become something like tale tales. For one thing, it includes material from interviews with two different experts: Anne Helen Petersen, who writes about Garland in her new book, Scandals of Classic Hollywood, and Peter Mac, a Judy Garland tribute artist whose act features detail-oriented recreations of Garland’s live performances, and who is incredibly well-versed in Garland’s life, work and legacy.Īlso, at two different points, I have Friend of You Must Remember This Noah Segan reading excerpts from William Goldman’s The Season. This episode is a little bit different than previous episodes. We’ll also take a look at Garland’s rise as a gay icon, and the connection between Garland’s death and the Stonewall Riots, which took place the night of Garland’s funeral. We’ll explore Garland’s struggles to assert herself within an industry that nearly killed her, and against a media which seemed to be out to get her. These triumphs were, at the time, usually overlooked by an essentially paternalistic mainstream media which, much to Garland’s dismay, delighted in the negative and the tragic.
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But today, we’re going to pay particular attention to the last two decades of her life, the post-MGM years, during which Garland battled through one comeback after another, ultimately establishing intimate relationships with her fans on TV and in live performances that would cement Garland’s legacy as one of the most powerful performers of all time. Signed to a studio contract at the age of 13, encouraged to become a pill addict as a teenage MGM contract player, crowned a superstar by The Wizard of Oz at age 17 and married for the first time at 18, Garland lived more than her share of life before reaching legal maturity. Today we’re commemorating the life and career of Judy Garland, who died 45 years ago this month.
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The television host also only registered to vote in Pennsylvania last year, which could raise questions as his campaign continues.Listen to this episode on Apple Podcasts. Oz will bring widespread name recognition to a race that is shaping up to be among the most competitive in the 2022 midterms, but is an untested candidate, having never run for office in the past. Pat Toomey (R-Pa.) in a Washington Examiner op-ed Tuesday.
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Oz Senate run A message to Oprah: Criminals will come for anyone MORE Show," announced that he was entering the race as a Republican to succeed Sen. Oz, who has enjoyed a years-long television career with his own program following frequent appearances on "The Oprah Winfrey Oprah Gail Winfrey Best and worst crisis management in 2021 Oprah Winfrey offers first comment on Dr. Oz has not yet addressed what will come of the show.
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Oz Show" told The Hill that those at the show are in the process of "evaluating options and discussing plans" with broadcast partners "on how to move forward" after host Mehmet Oz's decision to jump into the Senate race. The news comes after a source close to the "Dr.